

The story
The thinking behind it
Stonewashed Linen Throw began as a question about restraint: how little can a soft furnishings piece do and still change a room. The answer, in the end, was one clear silhouette and one honest material.
It is made in small runs so the studio can stay close to every piece. Linen was chosen not for novelty but because it ages well, a surface that looks better in its fifth year than its first.
Specify it alone against plaster, or let it sit quietly inside a fuller scheme. It is designed to hold either position without argument.



















